162 - Zenaida Dove
SKU:
HE-162
$17,000.00
$12,000.00
$12,000.00
per item
Hand-colored engraving with aquatint and etching. J Whatman 1834watermark. Painted by Audubon in the Florida Keys in 1832 (Low). The matted print will be shipped without the frame.
Audubon wrote: "The cooing of this species so much resembles that of the Carolina Dove, that, were it not rather soft, and heard in a part of the world where the latter is never seen, you might easily take it for the notes of that bird. Morning is the time chosen by the Zenaida Dove to repeat her tender tales of love, which she does while perched on the low large branch of some tree, but never from the ground. Heard in the wildest solitudes of the Keys, these notes never fail to remind one that he is in the presence and under the protection of the Almighty Creator."
Audubon wrote: "The cooing of this species so much resembles that of the Carolina Dove, that, were it not rather soft, and heard in a part of the world where the latter is never seen, you might easily take it for the notes of that bird. Morning is the time chosen by the Zenaida Dove to repeat her tender tales of love, which she does while perched on the low large branch of some tree, but never from the ground. Heard in the wildest solitudes of the Keys, these notes never fail to remind one that he is in the presence and under the protection of the Almighty Creator."
1 available
162 - Zenaida Dove
Hand-colored engraving with aquatint and etching.
J Whatman 1834 watermark.
Painted by Audubon in the Florida Keys in 1832
Havell Edition, Birds of America
The Havell edition prints are considered as the most desirable of all of Audubon's original art work. During the period 1827 to 1838, Audubon produced the images for his monumental "The Birds of America" (BOA) with the assistance of engravers William Lizars of Scotland for the first few prints and then with Robert Havell, Sr and Jr., in England. These are copper plate engravings (435 plates) printed on high quality wove paper with a watermark (either J. Whatman or J. Whatman Turkey Mill, followed by the year). These plates (commonly referred to as the "Havell Edition") are known for the exquisite and unsurpassed beauty and details in the images, and the fresh vibrant colors. Audubon printed only a small number of the full sets of the BOA (between 175 to 200 copies). Most of these full sets are in museums, and a few in private hands, with only a few loose prints available for purchase by the general public. In the 19th century, some of the owners of these original prints, understandably given the time period and not anticipating how rare Audubon's Havell prints would become, did not pay the utmost attention and care in preserving these precious copperplate engravings; as a result, some prints got trimmed right down to the platemarks (to save on framing expenses), or got destroyed due to exposure to the elements (bleaching from exposure to bright sunlight, smog, smoke etc.), and didn't survive or retain the original pristine condition. The rarity of these Havell Edition prints becomes very quickly obvious especially when one is searching for a particular bird print - - they are very difficult to find indeed!
In the 2010 Sotheby's Auction, the Lord Hesketh 4-volume set of Audubon's The Birds of America sold for a record-breaking $11.5 million!
All the plates listed in this section are original full sheets with the Whatman watermark, unless otherwise noted in the description. Please ask for a detailed "Condition Report" for any particular print you might be interested in, before purchasing.
J Whatman 1834 watermark.
Painted by Audubon in the Florida Keys in 1832
Havell Edition, Birds of America
The Havell edition prints are considered as the most desirable of all of Audubon's original art work. During the period 1827 to 1838, Audubon produced the images for his monumental "The Birds of America" (BOA) with the assistance of engravers William Lizars of Scotland for the first few prints and then with Robert Havell, Sr and Jr., in England. These are copper plate engravings (435 plates) printed on high quality wove paper with a watermark (either J. Whatman or J. Whatman Turkey Mill, followed by the year). These plates (commonly referred to as the "Havell Edition") are known for the exquisite and unsurpassed beauty and details in the images, and the fresh vibrant colors. Audubon printed only a small number of the full sets of the BOA (between 175 to 200 copies). Most of these full sets are in museums, and a few in private hands, with only a few loose prints available for purchase by the general public. In the 19th century, some of the owners of these original prints, understandably given the time period and not anticipating how rare Audubon's Havell prints would become, did not pay the utmost attention and care in preserving these precious copperplate engravings; as a result, some prints got trimmed right down to the platemarks (to save on framing expenses), or got destroyed due to exposure to the elements (bleaching from exposure to bright sunlight, smog, smoke etc.), and didn't survive or retain the original pristine condition. The rarity of these Havell Edition prints becomes very quickly obvious especially when one is searching for a particular bird print - - they are very difficult to find indeed!
In the 2010 Sotheby's Auction, the Lord Hesketh 4-volume set of Audubon's The Birds of America sold for a record-breaking $11.5 million!
All the plates listed in this section are original full sheets with the Whatman watermark, unless otherwise noted in the description. Please ask for a detailed "Condition Report" for any particular print you might be interested in, before purchasing.
