34 - Barn Owl
SKU:
BE-34
$8,000.00
$5,000.00
$5,000.00
per item
Chromolithy by Julius Bien, New York, 1860. The matted lithograph (float-mounted) will be shipped without the frame. Audubon painted this image in 1832 in New Jersey. The Bien edition shows a beautiful day-time background scenery whereas in the Havell edition it is a night-time view of the same scenery. Amazingly, both sceneries compliment the birds wonderfully! This image of the Barn Owl is an excellent example of Audubon's genius in positioning the birds in his paintings, whenever possible, to portray the different views of the plumage of the birds in a natural setting.
Audubon wrote "This species is altogether nocturnal or crepuscular, and when disturbed during the day, flies in an irregular bewildered manner, as if at a loss how to look for a place of refuge. After long observation, I am satisfied that our bird feeds entirely on the smaller species of quadrupeds, for I have never found any portions of birds about their nests, nor even the remains of a single feather in the pellets which they regurgitate, and which are always formed of the bones and hair of quadrupeds."
Audubon wrote "This species is altogether nocturnal or crepuscular, and when disturbed during the day, flies in an irregular bewildered manner, as if at a loss how to look for a place of refuge. After long observation, I am satisfied that our bird feeds entirely on the smaller species of quadrupeds, for I have never found any portions of birds about their nests, nor even the remains of a single feather in the pellets which they regurgitate, and which are always formed of the bones and hair of quadrupeds."
1 available
34 - Barn Owl
Chromolithy by Julius Bien, New York, 1860.
Bien Edition, Birds of America
The Bien edition prints of the Birds of America were produced by the Audubon family (by Audubon’s sons John Woodhouse and Victor Gifford), and thus are properly termed originals. Unlike the Havell edition prints which were produced in England, the Bien Edition prints were produced completely in America. Thus, they are truly American originals. In 1858, about seven years after John James Audubon passed away, his younger son John Woodhouse Audubon initiated an ambitious project to reissue the Birds of America to solve some of the mounting financial problems. He recruited the Roe Lockwood Company in New York city to publish the works and Julius Bien for lithography. Unlike the Havells which were produced from copper engraving plates, Julius Bien utilized the newly emerging chromolithography process as a way of reducing the costs of production. Chromolithography utilized a set of printing stones (about 6 or more, carrying images transferred from the original copper-plate engravings), each with different color printed in register to layer the colors to produce the final colored image on paper. Some of the final prints were hand-colored in specific areas to enhance the image. The use of different stones occasionally resulted in very slight misregister of colors on the dark outlines of birds and background, thus serving as a charming reminder of chromolithography process. Larger images were printed on a single page as in the Havell edition, whereas smaller images were printed two per page. All the larger images as well as some smaller images carry the credit "Chromolithy by J. Bien, New York, 1860” (but some with years between 1858 to 1862). Thus these images are commonly referred to as the Bien edition plates. Unfortunately, the start of the Civil War in 1860 brought an abrupt end to this project (and a financial ruin to the Audubon family) after only about 105 pages were printed. It was said that about 100 copies of each page (with bird images) were produced, but most of them did not survive. The Bien edition prints are more scarce to find than the Havell edition prints. For an excellent introduction to the Bien edition, please see the books by Susanne M. Low and Bill Steiner (books listed in the page about John James Audubon).
(Copyright, April 14, 2005, by the owner of AntiqueAudubon.Com)
Most of the prints available in this gallery are full sheets (~ 39" x 26"). Slightly trimmed prints are indicated. Please ask for detailed condition report before purchasing.
Bien Edition, Birds of America
The Bien edition prints of the Birds of America were produced by the Audubon family (by Audubon’s sons John Woodhouse and Victor Gifford), and thus are properly termed originals. Unlike the Havell edition prints which were produced in England, the Bien Edition prints were produced completely in America. Thus, they are truly American originals. In 1858, about seven years after John James Audubon passed away, his younger son John Woodhouse Audubon initiated an ambitious project to reissue the Birds of America to solve some of the mounting financial problems. He recruited the Roe Lockwood Company in New York city to publish the works and Julius Bien for lithography. Unlike the Havells which were produced from copper engraving plates, Julius Bien utilized the newly emerging chromolithography process as a way of reducing the costs of production. Chromolithography utilized a set of printing stones (about 6 or more, carrying images transferred from the original copper-plate engravings), each with different color printed in register to layer the colors to produce the final colored image on paper. Some of the final prints were hand-colored in specific areas to enhance the image. The use of different stones occasionally resulted in very slight misregister of colors on the dark outlines of birds and background, thus serving as a charming reminder of chromolithography process. Larger images were printed on a single page as in the Havell edition, whereas smaller images were printed two per page. All the larger images as well as some smaller images carry the credit "Chromolithy by J. Bien, New York, 1860” (but some with years between 1858 to 1862). Thus these images are commonly referred to as the Bien edition plates. Unfortunately, the start of the Civil War in 1860 brought an abrupt end to this project (and a financial ruin to the Audubon family) after only about 105 pages were printed. It was said that about 100 copies of each page (with bird images) were produced, but most of them did not survive. The Bien edition prints are more scarce to find than the Havell edition prints. For an excellent introduction to the Bien edition, please see the books by Susanne M. Low and Bill Steiner (books listed in the page about John James Audubon).
(Copyright, April 14, 2005, by the owner of AntiqueAudubon.Com)
Most of the prints available in this gallery are full sheets (~ 39" x 26"). Slightly trimmed prints are indicated. Please ask for detailed condition report before purchasing.
